{"id":313,"date":"2009-11-13T13:21:55","date_gmt":"2009-11-13T12:21:55","guid":{"rendered":"http:\/\/www.hazards.org\/blacklistblog\/?p=313"},"modified":"2009-11-13T13:34:54","modified_gmt":"2009-11-13T12:34:54","slug":"the-wizard-of-organising","status":"publish","type":"post","link":"https:\/\/www.hazards.org\/blacklistblog\/2009\/11\/13\/the-wizard-of-organising\/","title":{"rendered":"The Wizard of Organising"},"content":{"rendered":"

Blacklisting has been around a long time, as top US investigative journalist Amy Goodman<\/a> points out on the Truthdig blog<\/a>.<\/p>\n

The Wizard of Oz, written 70 years ago during the Great Depression by Oscar-winning lyricist EY ‘Yip’ Harburg, had a serious political message woven into the lyrics. It was part of body of work that was to guarantee he was blacklisted in the McCarthy era.<\/p>\n

Harburg grew up in poverty and was deep in debt after the 1929 Wall Street crash. Then he penned the song \u201cthat captured the essence of the Great Depression, \u2018Brother, Can You Spare a Dime?\u2019”, writes Goodman.<\/p>\n

The Wizard of Oz picked up the theme, recalls Yip\u2019s son, Ernie Harburg, with the storyline about people confronting and defeating seemingly insurmountable and violent oppression. The Scarecrow represented farmers, the Tin Man stood for the factory workers, and the Munchkins of the “Lollipop Guild” were the union members.<\/p>\n

Other work kept up the lyrical assault on oppression, writes Goodman. \u2018Finian’s Rainbow’, a Broadway hit, addresses racial bigotry, hatred of immigrants, easy credit and mortgage foreclosures and in 1947 was the first Broadway musical with an integrated cast.<\/p>\n

Goodman notes: \u201cWhen Harburg’s unabashed political expression made him a target during the McCarthy era, he was blacklisted, and was banned from TV and film work from 1951 to 1962.\u201d<\/p>\n

In response to his blacklisting, Harburg wrote a satiric poem, which reads in part:<\/p>\n

Lives of great men all remind us
\nGreatness takes no easy way,
\nAll the heroes of tomorrow\u00a0
\nAre the heretics of today.<\/p>\n

…\u00a0<\/p>\n

Why do great men all remind us
\nWe can write our names on high
\nAnd departing leave behind us
\nThumbprints in the FBI.<\/p>\n

Goodman concludes: \u201cLet’s give thanks to Yip Harburg and all heretical artists, past and present, who have withstood censorship and banishment just for talking turkey.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

Blacklisting has been around a long time, as top US investigative journalist Amy Goodman points out on the Truthdig blog. The Wizard of Oz, written 70 years ago during the Great Depression by Oscar-winning lyricist EY ‘Yip’ Harburg, had a serious political message woven into the lyrics. It was part of body of work that … <\/p>\n

Continue reading “The Wizard of Organising”<\/span><\/a><\/p>\n

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